Soundmurderer and SK-1 are two eclectic electronic music producers from Detroit, MI. Respectively named Todd Osborn and Tadd Mullinix, this incarnation finds them crafting ragga jungle with more than a hint of drill and bass complexity. Unlike a lot ragga jungle, Todd and Tadd show a healthy obsession with bashment dancehall by liberally sampling from sound system session tapes for their creations. Hoooold onnnn!
There’s a lot to take away from the September 11 attacks and their aftermath. Don’t forget to think critically about history!
By the late 70s Dolly Parton was already a major music star. Having gotten her start in 1967, Dolly had attained such success that Hollywood came a-knockin’. 20th Century Fox took on Jane Fonda’s project “9 to 5” as a vehicle for Dolly to enter the world of the silver screen The movie was a resounding success, catapulting Dolly into superstardom. The theme song written and recorded by Dolly was also a smash hit and garnered her an Academy Award nomination as well as two Grammy awards in 1982. If you haven’t seen the flick in a while, or ever, gave it a view. It really holds up! Big up Dolly!
A summer favorite around here is keyboardist Jackie Mittoo’s Studio One album “Macka Fat”. Filled with lots of laid-back vibes, classic riddims and soul covers, it sounds like the feeling of a lazy summer day. Here’s Mittoo’s take on Marvin Gaye’s classic “What’s Goin’ On?” Take a sip and take a dip!
Hot Tubs Time Machine is a squirrelly little band from Melbourne, AU. They make little looping ditties about fairly mundane topics. This one’s all about being curious about the lives of people you see at shows. Not sure why youtube’s not got it labeled as “Gig Face”, like it is on the album. “Does it matter to you?”
Madlib and Hip Hop turn 50 this year. Both are exceedingly prolific and influential. Here is a more recent Madlib production for an album he made with Gary, IN’s own Freddie Gibbs, with a special feature from Wu Tang Clan member Raekwon the Chef. Peep the skills!
“Growing up” and “acting like an adult” are totally overrated concepts. I know what you are, but what am I? NEVER STOP BEING SILLY! Long live Paul Reubens!
Taken from his classic album “Liquid Swords” GZA’s “Shadowboxin’” highlights the casual excellence of early Wu Tang Clan. The bars from GZA and Method Man flow effortlessly and the beat by the RZA is perfect loop made of only a couple of samples. Pledge allegiance to the Hip Hop!
At the of the 80s Elvis Costello’s long standing contract with Columbia records expired and he signed on with Warner Brothers. In return, Warner Bros. gave him a recording budget of what Costello later referred to as similar to “a small independent movie”. He took advanage of the financial opportunity to record with a number of different musicians in various locales, including Los Angeles, London, Dublin and New Orleans. While in the latter he linked up with songwriter and pianist extraordinaire Allen Toussaint as well as the Dirty Dozen Brass Band. The result of all the travelling and collaborating resulted in one of Elvis’ most adventurous albums, “Spike” and this tune of one its best.
Rogê is a 21st century sambador from Rio de Janiero, Brazil. Having cut his musical teeth in the samba clubs in the Lapa neighborhood in Rio, Rogê has moved to Los Angeles where he has linked up with members of The Budos Band. These Budos folks have come up through the Daptone system of old time music emulation and evolution and give Rogê’s tunes the necessary antique vibe they deserve. Muito bem!
While The Fall’s Mark E. Smith’s main legacy is certainly his distinct vocal cadence, his obtuse lyric writing is a close second. Sometimes the words to songs would sound like gibberish or the result of some sort of Burroughs-esque cut-up technique. In this case the inspiration seems to have come from a fairly ordinary conversation and then extended to a four and half minute song through extensive repetition. It just goes to show that becoming legendary is not necessarily strictly born out of having extraordinary ideas. Sometimes it’s just as valid to focus on the mundane and that you really can make a song about anything.
We’re going to close out Pride Month with synthpop heroes The Pet Shop Boys and their 1986 hit “What Have I Done To Deserve This”, which also helped revitalize the career of the 60’s pop star Dusty Springfield. The Boys are exceedingly good at delivering emotional songs in an deadpan, unemotional way and this is of the best examples of their style. In hindsight, this approach perfectly fits the “me generation” 80s image of self-centeredness and detachment from humanity for the sake of a stylish image. However, this stone- faced approach along with the emotional content of the lyrics create a depth to the music that is unique and refreshing amongst artists who wear their hearts on their sleeves as well as reflecting the emotional depravation in a consumerist world.
Happy Juneteenth! Let’s celebrate Blackness with a funky jam from ever rappin’ black combo of Digable Planets!
Back in January of this year certified Rock Guitar God Jeff Beck died. Here is he beating up a malfunctioning amp and destroying his guitar, inciting a mini-riot, while his band The Yardbirds (featuring a young Jimmy Page) play their tune “Stroll On” in Michelangelo Antonioni’s classic film “Blow Up”. Rock Out In Peace!
Sun Ra Arkestra multi-instrumentalist and band leader Marshall Allen turned 99 this week- while on tour! Instead of whatever I can come up with to say about his illustrious life and career, let’s hear from the man himself:
During a difficult period of Cure history Robert Smith disbanded the group and became a member of Siouxsie and The Banshees. A few months after joining, drummer Steve Severin and Smith sequestered themselves in a recording studio for twelve weeks in an attempt to fulfill a recording contract obligation of Severin’s. A weeks long party ensued, with only five days of actual writing and recording occurring. The viewing of copious amounts of horror movies added to the surreal feel of the proceedings. The name of the project, The Glove, is a reference to a character in The Beatles’ film “Yellow Submarine”. The psychedelic influence that fueled these songs would continue into the “Hyaena” sessions for Siouxsie as well as for The Cure with their next album, “The Top”. To avoid contractual obligations of his own, Smith sings this song from lyrics that are uncommonly not his own. Despite all it had going against it, The Glove project proves an unshakeable need to create by those involved.
Os Mutantes were a psychedelic rock band from São Paulo, Brazil. They were sonic innovators of the Tropicália and post-Tropicália movements. They worked intimately with the the movement’s founders, Caetano Veloso and Gilberto Gil. Recorded in late 1967/early 1968, this tune reflects the profound influence The Beatles work had on the musicians of Brazil at the time. RIP singer/songwriter/guitarist Rita Lee, who died May 8th of this year.
Pinback is a San Diego, CA based pop/rock band. They took their name from John Carpenter and Dan O’Bannon’s student-film-turned-first-feature “Dark Star”, a low budget satire of sci-fi films. Their reverance comes through loud and clear in this clip, complete this household items subbing for spaceships and planets.
This last week the jazz world as well as the city of Pittsburgh lost another legend. Ahmad Jamal is not the most nor least celebrated jazz pianist. Miles Davis claims him as influence and his work has been sampled more than a little bit. Rest in Peace!
On April 12, 2023 Jah Shaka the Zulu Warrior passed away. Born in Jamaica, Shaka was a youth of the Windrush Generation that moved to South East London looking for more opportunity. Shaka‘s sound system became a communal and spiritual focal point for many expats from the West Indies in south London, immortalized on celluiloid in the 1980 film “Babylon”. Jah Shaka focused on playing roots music, both new and old. Having never strayed from this path he was often seen as “militant”. Not only did his sound keep expats in tune with music coming from their homeland, but he also helped the burgeoning local scene. Just about every dub producer from London in the last forty years owes a debt of gratitude to the great Jah Shaka, a true champion for their style of music. Long live the Zulu Warrior!